I
cried while writing my last novel, THE SHARP HOOK OF LOVE, about the
star-crossed 12th-century lovers and scholars Heloise and Abelard.
For my next project, I decided, I would write something light-hearted and fun.
JOSEPHINE BAKER’S LAST DANCE was to be that book.
Perusing
my always-growing idea-list of fascinating women in history, I saw Josephine
Baker’s name and my switch was flipped. The beautiful, comedic African-American
dancer in the famous “banana skirt” would be the perfect protagonist for a
literary romp: I knew her as a frothy confection full of merriment and joy, the
icon of Jazz Age Paris in the 1920s. She would be the sweet dessert after the
heavy meal of love and loss served up by my medieval tragedy.
As
I read about Ms. Baker’s life, though, I came to realize that hers was no tale
of glamour and glitz—not exclusively.
Josephine
Baker grew up in the slums of St. Louis, Missouri, a child of abject poverty
and abuse. The theater was her escape, not only from her sorrow but also, on a
more practical level, from the life of servitude and struggle that would have
been her legacy had she remained in St. Louis. Her grandparents had been
slaves. Her mother was a laundress married to a mentally-ill alcoholic.
Josephine had a talent for dancing and buck teeth, and used these assets to
their fullest extent. She went on the “Strawberry Trail,” the black vaudeville
circuit, as a comedic chorus dancer, and stole every show.
The
tour ended and she landed back in St. Louis with her sights on the Booker T.
The Booker T. Washington Theatre offered vaudeville shows featuring
African-American performers including Bessie Smith, “The Empress of the Blues.”
Josephine landed a spot in one of the touring companies passing through and
never looked back. She trained her body and practiced her moves until she was
good enough for the chorus of “Shuffle Along,” the hit musical headed to
Broadway. When she heard they were looking for a “hoofer” she took a train from
Philadelphia, where she lived, to New York and slept on a Central Park bench the
night before her audition. She was 15 years old.
Four
years later, she hit the Paris stage in “La Revue Negre,” and became an
overnight sensation. Soon she was headlining in the famous Folies-Bergère
theater and traveling the world, Europe’s most highly-paid performer. She would
also become the first black film star; the first black woman to headline with
the Ziegfeld Follies in New York; the first black opera diva to sing in Paris’s
Opera Garnier, and more. But Josephine Baker never forgot who she was, or the
people she’d left behind.
In
her 30s, as is true for so many women, Josephine Baker underwent a
transformation. In her case, she blossomed from a needy, narcissistic youth to
an empowered and formidable woman. The rise of Adolf Hitler was her catalyst:
she joined the French Resistance as a spy to seduce and charm generals and
diplomats into revealing their secrets, then smuggled the information across
borders to deliver to the Allies. She risked her life many times because of her
hatred of the Nazis and their racism, and when the Nazis invaded France, she
helped a number of Jews escape.
After
the war, having tasted the power to make a difference, Josephine Baker turned
her efforts to fighting racial discrimination in the United States. Before
agreeing to perform in Miami’s Copa City Club, she insisted that its audiences
be racially integrated. The experiment’s smashing success inspired other clubs
to follow suit, allowing black patrons for the first time because of Josephine
Baker.
Buoyed
by the response, Ms. Baker held a press conference to announce her U.S.
tour—and stipulated that she would only perform in and patronize integrated
venues. She continued to generate publicity throughout the tour: canceling her
Atlanta shows after being turned away by city hotels; conducting a citizen’s
arrest of a man in Los Angeles who made racist comments about her, and more.
She
was relentless—and, in the minds of some, she went too far. Prominent white men
including the celebrity journalist Walter Winchell and FBI Director J. Edgar
Hoover, accused her of being a Communist sympathizer. Her agent warned her to
tone down her criticisms lest she lose everything, including the film deal with
a script by Ernest Hemingway.
Although
she badly needed the money, Josephine Baker refused to back down. And she did
lose everything, including her beloved castle in southern France, home for her
multiracial “Rainbow Tribe” of children adopted from cultures around the world.
Josephine
Baker’s life was no mere confection, as I had originally envisioned. She led a
rich, full, active life with, ultimately, one goal: the elimination of racism.
Although banned from the U.S. after her 1951 tour, she was invited to return in
1963 for the March on Washington with Dr. Martin Luther King, Jr. She was the
only woman to speak.
All
my books thus far have featured real-life women who, in spite of the many
forces against them, have realized their potential as human beings and made a
positive difference for change.
Josephine
Baker was one of the most influential people who have ever lived. Like Dr.
King, whom she knew, she embodied love, peace, and equality. She inspired me to write JOSEPHINE
BAKER’S LAST DANCE, and her example continues to encourage me, every day, to
use my powers to make a difference in our crazy world.
About the Author
Author and
journalist Sherry Jones is best
known for her international bestseller The Jewel of Medina. She is also the author
of The Sword of Medina, Four Sisters, All Queens, The Sharp Hook of Love,
and the novella White Heart. Sherry lives in
Spokane, WA, where, like Josephine Baker, she enjoys dancing, singing, eating,
advocating for equality, and drinking champagne.
Her latest novel is Josephine
Baker’s Last Dance.
Website: http://authorsherryjones.com
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About the Book:
From the author of
The Jewel of Medina, a moving and insightful novel based on the life of
legendary performer and activist Josephine Baker, perfect for fans of The Paris
Wife and Hidden Figures.
Discover the
fascinating and singular life story of Josephine Baker—actress, singer, dancer,
Civil Rights activist, member of the French Resistance during WWII, and a woman
dedicated to erasing prejudice and creating a more equitable world—in Josephine
Baker’s Last Dance.
In this illuminating
biographical novel, Sherry Jones brings to life Josephine's early years in
servitude and poverty in America, her rise to fame as a showgirl in her famous
banana skirt, her activism against discrimination, and her many loves and
losses. From 1920s Paris to 1960s Washington, to her final, triumphant
performance, one of the most extraordinary lives of the twentieth century comes
to stunning life on the page.
With intimate prose
and comprehensive research, Sherry Jones brings this remarkable and compelling
public figure into focus for the first time in a joyous celebration of a life
lived in technicolor, a powerful woman who continues to inspire today.
Purchase
Josephine Baker’s Last Dance in paperback, ebook, and audiobook formats on Simon and Schuster’s website (available
on Amazon, Barnes and Noble, BooksAMillion, Indiebound, Kobo, and other sites). Learn more about Sherry’s books at www.authorsherryjones.com
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