Showing posts with label Police Procedural. Show all posts
Showing posts with label Police Procedural. Show all posts

The Story Behind From New York To The Smokies by Wayne Zurl


It wasn’t exactly inspiration, but more like desperation. I had an arrangement with a publisher from 2009 through 2014 to provide her with novelette-length stories (8,000 to 11,000 words) that would translate to fifty-five to seventy minute audio books. Simultaneously, she published them as eBooks distributed to all the usual sellers. Then, one day I received an email stating that she was not going out of business, but she would not be taking on any new work for a protracted and undetermined time. None of the other authors I spoke with had received more of an explanation.

I had three stories with her awaiting contracts when she dropped the bomb. And I had two additional stories in the hopper ready for me to add the finishing touches and spruce them up for her acquisitions editor. So, as I floated there, dead in the water, I wondered, ‘What do I do with these 11,000 word stories? They’re too long for those who publish short stories and too short for a stand-alone book. But they were just right for the so-called “commuter” audio books . . . things like the old-time one-hour radio dramas my mother used to listen to back in the nineteen-fifties while she ironed or cooked.

I scoured the internet looking for a publisher willing to accept novelettes, most likely to be produced as an eBook only. Lucky me, I found Melange Books, LLC in Minnesota. The publisher asked me to submit THE ANGEL OF THE LORD, one of the five I was sitting with. A couple weeks later, she told me she liked it and wanted to put it under contract. Happy me. As an aside, I mentioned that the ANGEL had four siblings hanging around the street corner with nothing to do. She asked to see those, too. In a month or so, she asked if I’d like to see them in hard-copy as well as in the assorted eBook formats.

I figured I hit pay-dirt. “Of course,” said I. “Okay dokey,” said she. “I’ll send you a contract.”

So far the reviews of this anthology have been favorable and those who are veteran Sam Jenkins fans like the two stories from his time as young man and later as a detective in New York. A few reviewers called them prequels to the other three adventures dealing with Sam’s time as a police chief in east Tennessee.




About The Book Anthology Collection



Title: From New York To The Smokies 
Author: Wayne Zurl 
Series: 5 Book Anthology Collection from the Sam Jenkins Mystery Series 
Publisher: Melange Books, LLC 
Publication Date: April 16, 2015 
Format: Paperback - 163 pages / eBook  / PDF 
ISBN: 978-1680460780 
Genre: Mystery / Police Procedural   


Buy The Anthology Collection (Preorder - Pub Date: April 16, 2015)

Book Description: 

Author Wayne Zurl is back with his popular Sam Jenkins Mysteries SeriesFrom New York To The Smokies is a 5 book anthology collection from the Sam Jenkins Mysteries Series!    


THE BOAT TO PRISON 

Seventeen-year-old Sam Jenkins is busy fishing and falling in love with a girl named Kate. But with a father involved with the union and a divorced mother, Sam often finds himself acting like the adult of the family. During a fishing trip off Long Island, Sam overhears a conversation involving dangerous plans that can land his dad in jail. To keep his father out of prison, Sam teams up with detectives from the county’s rackets bureau and enlists the help of two friends to pull off an operation far beyond their usual high school curriculum.   

FAVORS 

Police community Service Aide Liz Lopez should be in fine spirits—she’s in line for a promotion to police officer and a raise. But her sullen demeanor tells her boss, Lieutenant Sam Jenkins, that Liz is anything but happy. Jenkins begins an unofficial investigation to find out what’s going on. The detective learns of a bizarre home life and a dark secret Liz keeps under wraps. FAVORS is a story of how the police take care of their own—in an honest and compassionate way.   

ANGEL OF THE LORD 

A killer is on the loose in Prospect, Tennessee. He strikes repeatedly, each time leaving a cryptic message for the police to find. By the time a fifth body turns up, Police Chief Sam Jenkins is under pressure—either solve the murders or bring in outside help. But the chief’s ego won’t allow others to work his cases. And at the eleventh hour he tracks down a prime suspect, but death is only seconds away for the next victim.   

MASSACRE AT BIG BEAR CREEK 

A misunderstanding between hunters rapidly escalates into a battle not seen in Southern Appalachia since the Hatfield and McCoy feud. As bodies pile up faster than evidence, Sam Jenkins and the officers of Prospect PD scour the remote hills and valleys of East Tennessee and North Carolina to solve a case that reads more like an old west adventure than a modern police drama.   

ODE TO WILLIE JOE 

Prospect, Tennessee Police Chief Sam Jenkins receives two reports of UFO sightings in three days. The gritty ex-New York detective doesn’t believe in coincidence…or space aliens, but he can’t find anything to explain a glowing spaceship and little green men—until he sends Sergeant Stan Rose and Officer Junior Huskey to Campbell’s Woods. They call in a startling discovery, and the investigation begins.


  
    


Book Excerpt:

     From ANGEL OF THE LORD

The rain never stopped. From early June through late August, it poured or drizzled almost every day. I thought if I stood still too long I might begin to mold. It reminded me of the monsoons in Southeast Asia.
Drops of rain falling from the brim of my cap were exceeded only by the young woman’s tears.
“When did you see the boy last?” I asked.
“Right after breakfast. He went into the living room to watch TV, and I started doing laundry in the basement.”
“And when you came upstairs he was gone?”
More tears rolled over her cheeks as she stood there, wringing her hands. “Yes.”
“Was your door locked?”
“Lord have mercy, no.”
“Is your son’s rain jacket here?”
She shrugged and cried a little more.
“Let’s look,” I suggested.
We walked to the mud room off the kitchen. A small hooded jacket hung on one of the five pegs over an antique wooden chair not six feet from the back door. A small pair of bright blue rubber Wellingtons sat on the floor.
“You call for him outside?”
“Of course. I ran all around.”
Without the puffy eyes and fear scarring her face, Emily Suttles would have been an attractive brunette.
“And then you called 9-1-1?”
“Yes.”
“What was he watching?”
“I don’t know. He knows how to work the TV.”
“You turn it off?”
“One of the policemen did.”
“Let’s take a look.”
She stared at me as if I had two heads. “Why?”
“Indulge me.”
Back in the living room, Emily picked up the remote control and turned on a flat screen about the size of a stretch van. The American Movie Classics channel came on playing a scene from Halloween 4.
“Did you or the cops look through the house?” I asked.
“Yes, of course.”
“All over?”
“Every room.”
“Slowly or quick?”
“Quick. I was frantic.”
“Let’s try again. Where’s Elijah’s room?”
“Upstairs.” Emily began to look impatient. “I know he’s not there.”
We walked upstairs anyway. I looked under the bed. Nothing. The boy’s mother called his name. More nothing. I opened the closet. Huddled in the left corner, leaning against the wall, four-year-old Elijah Suttles slept peacefully, a small flashlight in his right hand. I shook his knee.
“Hey, partner, you doing okay in here?”
He opened his eyes, blinked rapidly, and looked frightened.
“Take it easy, son. I’m a policeman. Your mom couldn’t find you and asked for some help.”
“Jesus have mercy, Elijah,” his mother said, “you ‘bout scared me half ta death. You come out here right now, young man.”
“Go slow, Mrs. Suttles. He probably had a good reason to hide in here. Didn’t you, son?”
The little boy nodded, but still looked scared.
“Something happen on the TV?”
Another nod.
“Ready to come out now?”
The boy stuck out a hand, and I pulled. Once on his feet, he scrambled to his mother and locked onto her leg, mumbling an apology.
“Some of these slasher movies scare me, too,” I said. “He just ran from the killer on the screen. Wasn’t a bad idea.”
Emily Suttles hugged her son, looked at me, and said, “Thank you.”
“I’ll call the three officers and let them know your son’s safe.”

I switched on the ignition in my unmarked Crown Victoria and keyed the microphone. “Prospect-one to headquarters and all units. The missing child has been found. Resume patrol. Five-twelve, close out the call at 1015 hours.”
PO Johnny Rutledge acknowledged. “10-4, Prospect-one.”
“Five-oh-nine, I copy that,” Billy Puckett said.
After a long moment of silence, Sergeant Bettye Lambert, our desk officer, broke in. “Unit 513, five-one-three, do you copy?”
No answer.
“Anyone know 513’s 10-35?” I asked.
“Joey was goin’ house ta house, east end o’ the street,” Puckett said.
“I’m probably the closest,” I said. “I’ll check.”
Just as I shifted into reverse, PO Joey Gillespie spoke on the radio.
“513 ta Prospect-one. Boss, ya gonna need ta see this. 1175 Benny Stillwell Road, obvious 10-5.”
10-5 is our brevity code for a homicide.
* * * *
Two men lay face down on the kitchen floor. One with a shaved head made it easy to see the small caliber bullet hole at the base of his skull—a .25 perhaps or more likely a .22. Blood trickled from the wound down past his right ear, over a thick neck, and onto the Mexican tile floor. The other victim’s blood oozed to his left. Funny, the little details you notice at the scene of a murder.
“You call crime scene and the ME?” I asked.
“Yessir, had Miss Bettye do it right after I called ya.”
I nodded and looked around the kitchen of a relatively new and expensive home. “Big house.”
Joey Gillespie nodded.
“At least 4,000 square feet,” I guessed. “And quality. These guys had bucks.”
He nodded again and looked a little queasy.
“The air hasn’t come on recently. In this humidity blood tends to stink quicker. Smell bother you?”
“Yessir, I ain’t used ta this.”
“Nobody gets used to it, kid. You just learn to ignore it.”
“I guess.”
“You search the rest of the house?”
“Jest looked on the first floor ta see if there was anybody here.”
“Basement?”
“Nosir. On a slab.”
“Let’s go upstairs.”
I drew my old Smith & Wesson from the holster on my right hip, and Joey pulled out his .40 caliber Glock.
“Look around, and pay attention. Don’t watch me. There’s probably no one here, but we’ll do this by the numbers.”
“Yessir. I’m right behind ya.”
We made a quick sweep of the first floor, opening all the closets before ascending the stairs. The landing above left us in a hallway with what looked like four bedrooms, two baths and two closet doors. We found nothing in the guest johns or closets. A lack of personal property in three of the bedrooms led me to believe they were set also aside for guests. We looked further in the master suite and discovered two closets holding clothing for two different people.
“I guess the two guys slept t’gether,” Joey said.
“Yep.”
“Strange, huh?”
“Not strange, just a minority.”
“Uh-huh.”
Two car doors slammed out front.
“Let’s see who’s here,” I suggested.
Jackie Shuman and David Sparks, crime scene investigators from the Blount County Sheriff’s Office, had arrived and stood in the foyer holding cameras and forensic kits. Moments later, Deputy Medical Examiner Morris Rappaport and his assistant Earl Ogle pulled up in the morgue wagon.

“How’d ya find these two?” Jackie asked of no one in particular.
“I’s checkin’ the neighborhood for a missin’ child,” Joey said. “Got no answer here, but there was two cars in the driveway and the garage was closed. Figgered someone’s home, so I walked ‘round back and seen them layin’ here on the floor.”
“Nice wheels out there,” David said.
“Audi S7 and an F-Type Jag,” I said. “Pushing a hundred grand apiece.”
“And they’re relatively new, right?” Morris asked.
“The Jag’s new, and the Audi’s not far behind.”
“With these two sporty drivers, why do you suppose there’s an oil spot on the concrete driveway?”
“Good question, Mo,” I said. “Something for our ace evidence technicians to explore.”
“We’ll git’er done,” Jackie said.
“And take pictures of this table top. Someone ruined a nice antique.”
Jackie looked closer at the numbers someone crudely scratched into the mellow wood finish.
“Thirteen thirteen,” he said. “Wonder what that means?”
“Two unlucky numbers,” Morris said.
“Two unlucky guys,” I said. “Has to mean something. Finding out will keep me from playing in the traffic.”


 
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About The Author

       
       


Wayne Zurl grew up on Long Island and retired after twenty years with the Suffolk County Police Department, one of the largest municipal law enforcement agencies in New York and the nation. For thirteen of those years he served as a section commander supervising investigators. He is a graduate of SUNY, Empire State College and served on active duty in the US Army during the Vietnam War and later in the reserves. Zurl left New York to live in the foothills of the Great Smoky Mountains of Tennessee with his wife, Barbara. 

Twenty (20) of his Sam Jenkins mysteries have been published as eBooks and many produced as audio books. Zurl has won Eric Hoffer and Indie Book Awards, and was named a finalist for a Montaigne Medal and First Horizon Book Award.

His full-length novels are: A NEW PROSPECT, A LEPRECHAUN’S LAMENT, HEROES & LOVERS, and PIGEON RIVER BLUES

The all new FROM NEW YORK TO THE SMOKIES, an anthology of five Sam Jenkins mysteries is available in print and eBook, published by Melange Books, LLC. 

For more information on Wayne’s Sam Jenkins mystery series see www.waynezurlbooks.net. You may read excerpts, reviews and endorsements, interviews, coming events, and see photos of the area where the stories take place.   

Connect with Wayne Zurl: 


The Story Behind The Baker's Men by Donald Levin (Mystery / Police Procedural)


World as Muse: The Many Inspirations for The Baker’s Men
By Donald Levin

Like much of my writing, The Baker’s Men—the second Martin Preuss mystery—had its genesis in a single moment, kind of like an inspirational Big Bang. One afternoon several years ago I was driving down the street in Ferndale, Michigan, the city where I live which is also the setting of my series of mysteries. I saw a man half-walking, half-stumbling down the sidewalk with his hands on top of his head. He didn’t seem to be in distress, just sort of dazed.

And I remember thinking to myself, “Now THAT’S the beginning of a novel.”

It was ripe with the kinds of questions we want our readers to ask: Who was he? What had happened to him? Where was he going so determinedly?

I kept that image in my mind until I had the time and space to be able to sit down and actually start the book. The first book, Crimes of Love, had a similar “Aha!” moment . . . I was driving down a relatively deserted road in a suburban area at night outside Buffalo, New York, and saw one of those Caution: Deer Crossing signs. Like many of those kinds of signs, it had indentations from bullet holes. In an instant while driving I looked past the sign to see a house with lighted windows in the distance beyond it, and realized I had the main situation for a novel.

So when I sat down to start my second mystery beginning with the image of the man walking down the street, I knew I had to take the story someplace from there pretty quickly. So I went to my trusty folder of story ideas and interesting articles that I save (I’m always on the lookout for ideas for my books and poems). There I found the perfect way to continue.

I discovered an old article I had cut out from in one of the local alternative newspapers several years before. The article described a crime that took place at a small family-owned bakery in Detroit not far from where I work. Two men were shot (one was killed) and a third man escaped. The murder was never solved. The article was actually about the devastation the bakery owners suffered in the aftermath of the crime, but the overall situation caught my imagination when I first came across it.

That situation—the crime, not the owners’ response—became the inciting incident for the book that turned into The Baker’s Men. The man I had seen walking down the sidewalk morphed into the third man who escaped from the shooting at the bakery, which I now located in Ferndale. I changed most of the details about the crime (its location, the owners and their situation, the motive, and the victims) and repopulated it to suit my purposes. Then finally put my Detective Preuss on the case.

In my Acknowledgements section I made sure to thank the author of the original article. If not for that article, the book would have had a completely different plot.

But that’s not the only source of the inspiration for this novel. The other source was a tale my parents told me years before about something that happened to one of their friends. I can't say much more about it because I'll give away too much of the mystery that’s at the heart of the book . . . but like the article in the newspaper, I carried this story in my head for a long time (in this case more than twenty years) because I knew it would wind up in a novel someday. And it finally did, in The Baker’s Men.

Henry James advised novelists to be someone upon whom nothing is lost. This explanation of how one novel came together from several different sources illustrates that nicely. Unlike a worker who clocks out at the end of the day, a novelist is always either writing or thinking about writing—and the whole world is your muse.


About The Book:

Title: The Baker's Men
Author: Donald Levin
Publisher: Poison Toe Press
Publication Date: April 20, 2014
Pages: 338
ISBN: 978-0615968568
Genre: Mystery / Crime Fiction / Police Procedural
Format: Paperback, eBook, PDF


Easter, 2009. The nation is still reeling from the previous year’s financial crisis. Ferndale Police detective Martin Preuss is spending a quiet evening with his son when he’s called out to investigate a savage after-hours shooting at a bakery in his suburban Detroit community. Was it a random burglary gone bad? A cold-blooded execution linked to Detroit’s drug trade? Most frightening of all, is there a terrorist connection with the Iraqi War vets who work at the store? Struggling with these questions, frustrated by the dizzying uncertainties of the case and hindered by the treachery of his own colleagues who scheme against him, Preuss is drawn into a whirlwind of greed, violence, and revenge that spans generations across metropolitan Detroit.

For More Information:
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About The Author:

An award-winning fiction writer and poet, Donald Levin is the author of The Baker’s Men, the second book in the Martin Preuss mystery series; Crimes of Love, the first Martin Preuss mystery; The House of Grins, a mainstream novel; and two books of poetry, In Praise of Old Photographs and New Year’s Tangerine.

Widely published as a poet and with twenty-five years’ experience as a professional writer, he is dean of the faculty and professor of English at Marygrove College in Detroit. He lives in Ferndale, Michigan, the setting for his Martin Preuss mysteries. You can visit Donald Levin’s website at http://donaldlevin.wordpress.com

Connect with Donald:
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