The Story Behind Tales of the Ocean City Series by Christopher Kaufman

 


 
 
The Story Behind Dragged Tales of the Ocean City
By Christopher Kaufman

First, I would like to share that I am a creative artist of long standing. I have my ongoing classical epic fantasy series, Tales Of The Ocean City, music works for the classical concert stage and film, and ‘environmental works’ featuring live performance and soundscapes crafted from hundreds of natural sounds. I also have family audience-based theatrical works which, like Tales Of The Ocean City, are simultaneously books with colorful illustration where each page is a work of art, effulgent audio albums filled with cinematic/symphonic music, performance films and concert performance pieces. My readings performances of TOC feature live narration as the graphically illustrated pages stream on screen and the music pours through speakers.

I began writing fantasy stories with colorful illustrations when I was nine years old. Later, as a young student at The New Orleans Center for the Creative Arts, I discovered music; there I played oboe and piano, sang bass solos in Handel’s Messiah and began composing. I continued my schooling in music all the way through a Doctorate in Music Composition (Cornell University) and followed that with leading a performing arts group titled CHIRON Performing Arts - through which I’ve presented the work of hundreds of artists of all disciplines. Later, I founded a series titled The Phantastic Theater - new music for people of all ages all at once, where I find creative ways to present new music and art and for which I’ve created and produced my theatrical pieces mentioned above.

All through the years of music school my stories never left me.  

I am the type of person that needs to dive into imaginative fantasy scenarios every night to get to sleep.  So, I finished my schooling phase with my music degrees and the vast event structure for Tales Of The Ocean City - through book eight, which I am completing now!

I started writing down these stories in the early 2000’s, but it was only when I initiated my home music ‘lab’ and began creating the text, music and narration at the same time that I found my voice as a storyteller. After two Audio Albums (TOC books 1-2), and then adding the element of the graphically illustrated pages filled with art and color, the style for these works was established.

Tales Of The Ocean City tells the tale of a young civilization turning the corner into the future. The city as a whole must do this by facing a terrible enemy from the deepest past, The Vorm - with whom they co-evolved in ages past on their ancestral isle. The main characters are young Harl’ut and his lifelong companion, Vispushin - who is a perianth (a kind of telepathic pegasus).  They are very close, like family. They speak to each other mind-to-mind.  Harl’ut too must face the past.  At the end of book two he undergoes an initiation adventure where he descends into the volcanic mountain, Pla’than’taa - from the belly of which The Ocean City was delved. There, he interacts with personifications of past god-like figures and battles a terrific monster. He then leads a cadre of young warriors into the Vorm Hive on a vital mission.

My work as a composer has informed my storytelling.  In musical harmony you have chords with great tension that resolve (cadence) into more consonant ones.  In TOC there are situations of conflict that resolve, such as the visceral battle scene of book one that ends with a heightened and inspiring resolution. Music has given me a strong sense of pacing. I know when to write short, direct sentences to move the action (of which there are tons) at a terrific pace, and when to take time and paint a glorious picture.

I believe in the transforming power of imagination. This is a theme that runs throughout all of my creative projects. I hope that the experience of my stories helps people see, hear and live with imagination more fully - this is the cure for all that ails us. 

I would like to acknowledge the writers that have informed my work and imaginative life and to whom I am eternally grateful; Tolkien, Lovecraft, McCaffrey, Dunsany, Lewis and my favorite,  Lloyd Alexander - who spoke about writing for adults for many years and enjoying it, yet, when he started writing for young people, the emotions became deeper and more powerful, not less so.

This may be why my Tales Of The Ocean City appeals, not only to YA audiences, but to Adult Fantasy Lovers as well.

Thanks for tagging along! Live with Imagination! 

See you in the places Beyond The Fields We Know, to paraphrase Dunsany.

Christopher Kaufman

My works are available at kaufmantales.com.

 

 
 

A young civilization is turning the corner into the future, but first they must face a terrible enemy from their deepest past – THE VORM.

The main characters are a young man named Harl’ut and his lifelong companion Vispushin – who is a perIanth, a kind of telepathic pegasus. Join them on this epic adventure as they lead a group of young warriors into the heart of the Vorm Hive.

Book One: Battle In The Sky is the first of five books which comprise the opening series of this epic tale. Here, Harl’ut and Vispushin and The Princess Bryn’lynn, engage in desperate battle over the southern plain with savage Vorm warriors. You will be uplifted by the passionate and thrilling conclusion of the first installment of this fantasy adventure. 

In Book Two: Descent Into The Abyss, Harl’ut recovers from his harrowing adventure from Book One: Battle In The Sky. He walks through the streets of The Ocean City, visits the Sculpture Garden and his friend, Elá, the bard, and engages in exciting training games with warrior/mentor, Calanctus. Then the story takes you down the throat of the vast volcano, Pla’than’taa, once worshipped as a god, where Harl’ut enacts a deadly initiation ritual, confronts the barbaric past of his people and battles a terrifying monster. 

Pick up your copies at https://kaufmantales.com/.



Christopher Kaufman is an author, composer, presenter, illustrative artist and performer. He started imaginative fantasy books with illustrative art at the age of nine. During high school years he found music and attended The New Orleans Center for The Creative Arts and went on to major in music composition in college. He finished his schooling – earning his DMA in music composition at Cornell University where he studied with Pulitzer Prize Winning composers who prize his abilities as a composer.

Christopher is the type of person who needs imaginative fantasy scenarios to get to sleep. Therefore, he emerged from Cornell, not only with his degrees in music, but with the full event structure for his classic epic fantasy series Tales Of The Ocean City in his mind.

He began writing the story down in the early 2000’s, but it did not really come to life until he developed his home music ‘laboratory’ and started creating the music and text at the same time. Thus books one and two of TOC came about simultaneously as both graphically illustrated pages and effulgent audio albums filled with cinematic epic symphonic music.

They exist now as physical books and audio albums (that go together) and the new Video Book version.  He performs live tours with the music pouring through speakers, live narration and the colorful pages streaming on screen – a true immersive multi-media experience.

He also maintains his career as a composer for the concert stage with a full body of work, from solo works thru orchestral. He specializes as well in ‘environmental works’ which feature soundscapes crafted from hundreds of natural sounds, live musicians (from soloists, chamber groups and to full orchestra), videos filled with both natural and artistic images and readings from the works of John Muir and others.

His home page is – soundartus.com

His author page is talesoftheoceancity.com.

His you-tube channel is SOUNDARTUS.

Visit him at Facebook at https://www.facebook.com/talesoftheoceancity.

Christopher believes in the transformative power of imagination.

“Live with imagination!”


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